Welcome to My Gallery...
Below you will find some of my favorite shots. Some of them are from my travels, some
are of models I have had the pleasure of working with, and others are simply here because I'd
like you to see them!
Although it is difficult to make a Corvette look much better, the addition of this model
certainly is a great improvement!
 
 
 
This is a photo taken during a recent studio shoot. The shoot resulted in some great images.
To go to the model's web site, go to
StaceySimon.com.
 
 
 
 
This was taken after one of the worst snowstorms that we have had here in
Southern Ontario. It just goes to show you that there is a pleasant side to such things after all.
 
 
 
 
This is a picture of me overlooking the harbour in Monaco, and NO I was not there for the
Grand Prix! It sure is a fabulous place.
 
 
 
Yosemite National Park in California is one of the most picturesque places I have visited.
It is easy to see why Ansel Adams spent so much time there.
 
 
 
 
 
I took this picture just around the corner from author Hans Christian Andersen's
house in Odense, Denmark. I was born in Denmark so it is a very special place for me.
Oh, by the way, this photo placed second in a Juried Exhibition at the Burlington Arts Centre.
 
I had the idea for this particular shot for a long time, and when I suggested it to the model, she was
very keen to do the shoot - even though there is alot of traffic in the area. She did a great job and I got
exactly what I wanted!
 
 
 
 
 
This is a black and white print that I softened by using a Cokin diffusing filter
during the printing stage. I like the slight softness that is predominant around the darker
objects in the photo.
 
 
 
 
 
It's difficult to take a bad photo of a pretty girl in a calm outdoor setting.
 
 
 
 
 
 
CART driver Paul Jasper at Nazareth PA, April 1997. Taken with a 200mm lens.
 
 
 
 
 
To the winner go the spoils! Alex Zanardi, winner of the 1998 Cleveland CART race. Taken using a 300mm lens.
 
 
 
 
 
 
 
Although the general rule is to NOT use shutter speeds slower than 1 divided by
the focal length of the lens you are using, exceptions to rules can create some dramatic effects.
Here I shot at 1/60th of a sec. with a 200mm lens-through fencing as well!
 
 
This is an example of using a faster shutter speed to freeze the action. In this case the action is heightened
due to the vast amount of space between the ground and close proximity of the two riders.
 
 
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